{"id":351,"date":"2022-10-03T11:04:56","date_gmt":"2022-10-03T11:04:56","guid":{"rendered":"https:\/\/sybillamb.com\/LambFactory\/?p=351"},"modified":"2022-10-03T11:09:10","modified_gmt":"2022-10-03T11:09:10","slug":"curriculum-vitae-2022","status":"publish","type":"post","link":"https:\/\/sybillamb.com\/LambFactory\/curriculum-vitae-2022\/","title":{"rendered":"Curriculum Vitae 2022"},"content":{"rendered":"\n<p>Sybil Lamb Professional Of Art !<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/sybillamb.com\/LambFactory\/wp-content\/uploads\/2022\/10\/CV-Sybil-Lamb-2022-_long-exhibitions-221003.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of Embed of CV Sybil Lamb 2022 _long exhibitions-221003..\"><\/object><a id=\"wp-block-file--media-a5d75a05-abd4-4589-92ea-bf15433eec01\" href=\"https:\/\/sybillamb.com\/LambFactory\/wp-content\/uploads\/2022\/10\/CV-Sybil-Lamb-2022-_long-exhibitions-221003.pdf\">CV Sybil Lamb 2022 _long exhibitions-221003<\/a><a href=\"https:\/\/sybillamb.com\/LambFactory\/wp-content\/uploads\/2022\/10\/CV-Sybil-Lamb-2022-_long-exhibitions-221003.pdf\" class=\"wp-block-file__button\" download aria-describedby=\"wp-block-file--media-a5d75a05-abd4-4589-92ea-bf15433eec01\">Download<\/a><\/div>\n\n\n\n<p>Sybil E. Lamb<br>Sandwich Town, Ontario, Canada<br>6ybil@sybillamb.com \u2014 www.SybilLamb.com<\/p>\n\n\n\n<p><strong>EDUCATION\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><strong><br><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><em>2012<\/em><br>2009<br>2007<\/td><td><br><br><br><\/td><td><strong><em>Self-Employment Development Certificate<\/em><\/strong><em>Vanauley Street Centre <\/em>(<em>Toronto, ON<\/em>)<strong>&nbsp;Apprenticeship in MIG Welding<\/strong>Artistic Steel Welding (Oakland, CA)<strong>Apprenticeship in Parade Float Construction<\/strong>Julian Stock (New Orleans, LA)<\/td><\/tr><tr><td><em>1998 &#8211; 2000<\/em><\/td><td><\/td><td><strong><em>Drawing for Animation, Painting\/Drawing\/Studio Practice, and Fundamentals of Graphic Design<\/em><\/strong><strong><em><br><\/em><\/strong><em>Concordia University <\/em>(<em>Montr\u00e9al, PQ<\/em>)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong>EXHIBITIONS (selected)\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><\/p>\n\n\n\n<p><strong><br><\/strong><strong>2019&nbsp; <\/strong><strong>&nbsp;<\/strong>Trans Ontario Launch,&nbsp; Bricks and Glitter Festival , Unit2 Toronto, ON August 2019)<\/p>\n\n\n\n<p><strong><\/strong><strong>(\u201cthe TransOntario Series\u201d, \u201cMiss Ambassador Bridge\u201d &#8220;..&#8221;<\/strong><\/p>\n\n\n\n<p><strong>2018<\/strong><strong> <\/strong>Local Artist,<strong> <\/strong>curated by Biblioasis, Windsor, ON<br><strong>(\u201cMiss Ambassador Bridge\u201d \u201cLost Little Girl Show Collection\u201d, \u201c&#8230;\u201d)<\/strong><\/p>\n\n\n\n<p><strong>2018<\/strong><strong> <\/strong>Willistead Manor Art Walk,<strong> <\/strong>curated by the Rotary Club of Windsor, Windsor, ON<br><strong>(\u201cMiss Ambassador Bridge\u201d \u201cLost Little Girl Show Collection\u201d)<\/strong><strong><br><\/strong><strong>2018<\/strong><strong> <\/strong>Schomburg Art Walk<strong>, <\/strong>curated by Grackle Coffee, Schomburg ON<\/p>\n\n\n\n<p><strong>(\u201cthe TransOntario Series\u201d \u201cLost Little Girl Show Collection\u201d)<\/strong><strong><br><\/strong><strong>2018<\/strong><strong> <\/strong>Walkerville Brewery Night Market<strong>, <\/strong>curated by Walkerville Brewery,<strong> <\/strong>Windsor, ON<strong><br><\/strong><strong> <\/strong><strong>(\u201cMiss Ambassador Bridge\u201d \u201cLost Little Girl Show Collection\u201d)<\/strong><strong><br><\/strong><strong>2018<\/strong><strong> <\/strong>Artistic Abominations<strong>, <\/strong>curated by Crystine Ztigmata, SeaScape Club,Toronto ON<br><strong>(\u201cthe TransOntario Series\u201d \u201cLost Little Girl Show Collection\u201d)<\/strong><strong><br><\/strong><\/p>\n\n\n\n<p><strong>2017<\/strong> <em>Elephant Shoes Artist Collective<\/em> curated by Cherry Lemon Lime, Toronto, ON<\/p>\n\n\n\n<p>(\u201c<strong>Grackle Biscotti<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Myki\u2019s Treehouse<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Tandem Friends<\/strong>\u201d)<br><strong>2017<\/strong> <em>Bottom Line Coffee<\/em> curated by Noura Balint, Detroit, MI (\u201c<strong>Eris Hastings<\/strong>\u201d\u201d<strong> Semi Free&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Lunch\u201d <\/strong>\u201c<strong>Sandwich Book Treehouse<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Tandem Friends<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2017 <\/strong><strong><\/strong><em>DVS Productions\/\/ HALF WAY 2 HALLOWEEN Tangent Gallery <\/em><em>&nbsp;<\/em>curated by<br>Anthony DVS, Detroit, MI (\u201c<strong>Undead Girls Partying in a Bush<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2016 <\/strong><strong><\/strong><em>Super Wonder Gallery\u2014Super Duper Show<\/em><em> <\/em>curated by Christian Aldo, Toronto, ON<\/p>\n\n\n\n<p>(\u201c<strong>Goddess of the Lights<\/strong>\u201d, \u201c<strong>Devil in her Sack<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2016<\/strong> <em>Super Wonder Gallery\u2014Super Trash Show<\/em><strong> <\/strong>curated by Christian Aldo, Toronto, ON&nbsp;<\/p>\n\n\n\n<p>(\u201c<strong>Fire Breathing Electric Cat<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2016<\/strong> <em>Barristers Gallery\u2014The Raw and the Cooked<\/em> curated by Andy Antippas, New<br>Orleans, LA (\u201c<strong>Venus vs. Mars x2<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2015<\/strong> <em>Videofag\u2014Arturo Vega Tribute Show<\/em><em>,<\/em> curated by Ken Moffatt and Heather Bain,<br>Toronto, ON (\u201c<strong>Justo y Necessario ~ Arturo Vega<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2015<\/strong> <em>Toronto Outdoor Art Expo<\/em>, Toronto, ON (&#8220;<strong>Bermuda Triangle<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Rapid Petting<\/strong>,\u201d<strong> <\/strong><strong><br><\/strong>\u201c<strong>Duchess of Arts<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Kiki Lamb<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Queen of Venus<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Lamby Vs Pussy<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Syb, Maybe, and Cake<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Laboratorium<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Orange Juice<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Inxy Bincuberry<\/strong>,\u201d <em>et al.<\/em>)&nbsp;<\/p>\n\n\n\n<p><strong>2015<\/strong> <em>Super Wonder Gallery\u2014Super Naughty Show<\/em> curated by Christian Aldo, Toronto, ON<br>(\u201c<strong>Why Love S<\/strong>,\u201d \u201c<strong>Sex Bots<\/strong>,\u201d \u201c<strong>Regular<\/strong>,\u201d \u201c<strong>Knife Fight<\/strong>,\u201d \u201c<strong>Creamer<\/strong>,\u201d <strong>Lil Bows<\/strong>\u201d)&nbsp;<\/p>\n\n\n\n<p><strong>2015 <\/strong><strong><\/strong><em>Super Wonder Gallery\u2014Super Trash Show<\/em><em> <\/em>curated by Christan Aldo, Toronto, ON<\/p>\n\n\n\n<p>(\u201c<strong>Cheezy Splats<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2015<\/strong> <em>Gladstone Hotel\u201410&#215;10 Art Show<\/em> organized by James Fowler, Toronto, ON<\/p>\n\n\n\n<p>(<strong>Series of 24 10&#215;10 illustrations drawn 1 per hour for 24 hours<\/strong>)<br><strong>2015<\/strong><strong> <\/strong><em>Akasha Art Gallery\u2014Untitled: The Practice of Identity II<\/em><em> <\/em>curated by Mia Raicevic,&nbsp;<\/p>\n\n\n\n<p>Toronto, ON (\u201c<strong>Dashboard Altar<\/strong>\u201d)<br><strong>2015<\/strong> <em>Home Ground\u2014Hamilton Pride Art Show<\/em> curated by Poe Libertad, Hamilton, ON<\/p>\n\n\n\n<p>(\u201c<strong>Whisky Love Story<\/strong>,\u201d \u201c<strong>Kooka Burger<\/strong>,\u201d \u201c<strong>Kiki Burger<\/strong>,\u201d \u201c<strong>DIY Surgery<\/strong>,\u201d \u201c<strong>Regular<\/strong>,\u201d<br>\u201c<strong>Rapid Petting<\/strong>,\u201d \u201c<strong>Super Butter<\/strong>,\u201d \u201c<strong>Nina Narcissist<\/strong>,\u201d \u201c<strong>Creamer<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2014<\/strong> <em>Ryerson University\u2014Troubling Masculinities<\/em><strong> <\/strong>curated by Ken Moffatt and Heather Bain,<br>Toronto, ON (\u201c<strong>AmsterdamKlovenirsBurgwal<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2014 <\/strong><strong><\/strong><em>Gallery 1313 @ Latino Canadian Cultural Association<\/em>\u2014<em>Beyond Our Roots<\/em><em> <\/em>curated by<br>Alejandro Freeland &amp; Hugo Ares, Toronto, ON (\u201c<strong>DIY Surgery<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2014<\/strong> <em>Queen West Art Crawl<\/em>, Toronto, ON (\u201c<strong>Sea Gull<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Lost Hammer<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Last Star<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Riki Tik<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Ultra Bar Koffee<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Klovenirsburgwal<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Veloren Meiden<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Window Girl 21<\/strong>,\u201d<strong> <\/strong>)&nbsp;<\/p>\n\n\n\n<p><strong>2013<\/strong> <em>Gladstone Hotel\u2014That\u2019s So Gay\/Say It To My Face<\/em>, curated by Elisha Lim, Toronto, ON<\/p>\n\n\n\n<p>(\u201c<strong>Amsterdam Windowgirl4<\/strong>,\u201d \u201c<strong>KlovernirsBurgwal<\/strong>,\u201d \u201c<strong>Amsterdam Koffee<\/strong>\u201d)&nbsp;<\/p>\n\n\n\n<p><strong>2013<\/strong> <em>Club120\u2014Where\u2019s the Love AIDS Foundation Fundraiser<\/em> Toronto, ON (\u201c<strong>Smokin Stars<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2013<\/strong> <em>Videofag\u2014Gawd Mess Amerika<\/em>, curated by Bryen Dunn, Toronto, ON (\u201c<strong>Smoking Stars<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Bloodgartch Achterburgwal<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Last Star<\/strong>,\u201d \u201c<strong>JoyRide<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Tentacle Beast Boyfriend<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Suzi Suicide<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Too Fukt 2 Tuck<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Trans Debate Night<\/strong>,\u201d et al.)<\/p>\n\n\n\n<p><strong>2013 <\/strong><strong><\/strong><em>Artscape Triangle Gallery\u2014 Femmeldehyde 3<\/em>, Toronto, ON (\u201c<strong>Bike Thief<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Fire Swept Algoma<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Eat Led<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Judy Virago<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Chopper Bike Flood Battery<\/strong>,\u201d<strong> <\/strong>\u201c<strong>The Last Star<\/strong>,\u201d<strong> Smoking Stars<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Sausage Sizzle<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Sidney Fire Exit<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Edie Viscerator<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2012<\/strong> <em>Toronto School of <\/em>Art\u2014<em>PaperGirl @ Nuit Blanche<\/em>, Toronto, ON (\u201c<strong>Smoking4Ever<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2012<\/strong> <em>Buddies in Bad Times Theatre\u2014Pen!s Project<\/em> curated by Michael Mackid, Toronto, ON<\/p>\n\n\n\n<p>(\u201c<strong>Joy ride<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Bloodgratch Tryptic<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2012<\/strong> <em>Buddies in Bad Times Theatre\u2014TWAT Festival<\/em>, curated by Morgan M Page,<br>Toronto, ON (\u201c<strong>Bloodgratch Tryptic<\/strong>\u201d)&nbsp;<\/p>\n\n\n\n<p><strong>2011<\/strong> <em>Shanghai Lounge\u2014Shanghai Summer Surprise<\/em>, curated by Caitlin Pascal, Ottawa, ON&nbsp;<\/p>\n\n\n\n<p>&nbsp; (\u201c<strong>Lost Little Girl Real Gold Series 24 Pieces<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Steer Cuts<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Parked Cars<\/strong>,\u201d)<\/p>\n\n\n\n<p><strong>2011<\/strong> <em>Unit 2\u2014 Full Ass Moon<\/em> curated by Nicholas Murr and Rozina Kazi, Toronto, ON<br>(\u201c<strong>Dalek Lap Dance<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Ultra Dolly<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Fuck You and the Horse You Road in On<\/strong>,\u201d)<\/p>\n\n\n\n<p><strong>2011<\/strong> <em>Kensington Art Walk<\/em>, Toronto, ON (\u201c<strong>Fake Store<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Cardboard General Store<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2011<\/strong> <em>Ridgefield Guild of Artists\u2014 Gender Odyssey<\/em>, Ridgefield, CT (\u201c<strong>Edie Scrapper Bike<\/strong>\u201d)<br><strong>2011<\/strong> <em>Piety Iron Works\u2014New Orleans Automaton Festival<\/em>, curated by Myrtle Von Dammit,&nbsp;<\/p>\n\n\n\n<p>New Orleans, LA (\u201c<strong>Scapegoat 38<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2011 <\/strong><strong><\/strong><em>Barrister\u2019s Gallery\u2014 Lost Little Girl Art Show<\/em> curated by Andy Antippas,<br>New Orleans, LA (\u201c<strong>Edith Massey Sedgwick,<\/strong>\u201d<strong> <\/strong>\u201c<strong>Fishy Stripy Dress<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Termite &amp; Vine<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Eat Led<\/strong>,\u201d<strong> <\/strong>\u201c<strong>I Dont Wann Anything<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Fishy Vs Grey<\/strong>,\u201d<strong> <\/strong>\u201c<strong>The Clemmens<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Shitty Staph of Hatered<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Mariana Trench<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Sterile Amerika<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Milly Onion<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Bathtub 4evr<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2011<\/strong> <em>Patrick John Mills Gallery\u2014Porn is\/is not Art<\/em>, curated by Patrick John Mills, Ottawa, ON<\/p>\n\n\n\n<p>(\u201c<strong>Lamby vs Pussy<\/strong>,\u201d<strong> <\/strong>\u201c<strong>Lamby Vs Lil Lamby<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2010<\/strong> <em>Patrick John Mills Gallery\u2014I Killed the Group of Seven<\/em>, curated by Patrick John Mills,&nbsp;<br>Ottawa, ON (\u201c<strong>Fire Swept Algoma<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2010<\/strong> <em>Barrister\u2019s Gallery\u2014Like A Prayer<\/em> curated by Andy Antippas, New Orleans, LA<\/p>\n\n\n\n<p>(\u201c<strong>Fetishised Face Surgery Crushed<\/strong>,\u201d \u201c<strong>Retribution<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>2010<\/strong> <em>Barrister\u2019s Gallery\u2014I Wish I Was Dead<\/em><em> <\/em>curated by Andy Antippas,<em> <\/em>New Orleans, LA<\/p>\n\n\n\n<p>(\u201c<strong>Tabernacle of the Disciples of the Blood of the Lamb<\/strong>,\u201d \u201c<strong>An Artistic Life Kills <\/strong><strong><br><\/strong><strong>Slowly<\/strong>,\u201d \u201c<strong>Black Dye<\/strong>,\u201d \u201c<strong>Ride a Lamb<\/strong>,\u201d \u201c<strong>Fur Coats<\/strong>,\u201d)<\/p>\n\n\n\n<p><strong>1997<\/strong> <em>Mercury Lounge\u2014Emily Wretch Show<\/em>, curated by Benoit LeBlanc, Ottawa, ON&nbsp;<\/p>\n\n\n\n<p>(\u201c<strong>Visceral Mermaid<\/strong>,\u201d \u201c<strong>Megalion<\/strong>,\u201d \u201c<strong>Mr. Man Per Minute<\/strong>,\u201d \u201c<strong>Gut Bucket<\/strong>,\u201d \u201c<strong>DrinkEW368\u201d<\/strong>)<br><strong>1997 <\/strong><strong><\/strong><em>Artguise\u2014Emily Whist Show<\/em>, curated by Jason Vaughan &amp; Brandon McVittie, Ottawa,&nbsp;<\/p>\n\n\n\n<p>ON (\u201c<strong>Nicole\u2019s Camel<\/strong>,\u201d \u201c<strong>More Coffee Waitress<\/strong>,\u201d \u201c<strong>Dr. Green and Lady Friend<\/strong>,\u201d \u201c<strong>Jar <\/strong><strong><br><\/strong><strong>Girl<\/strong>,\u201d \u201c<strong>Yerblix<\/strong>,\u201d \u201c<strong>The Funnest Game<\/strong>,\u201d \u201c<strong>Mr. Man Per Minute<\/strong>,\u201d \u201c<strong>Thickenzi Hignilg<\/strong>,\u201d)<\/p>\n\n\n\n<p><strong>1996<\/strong> <em>Gallery 101\u201460 Minute Art Auction<\/em>, curated by Tim Dallett, Ottawa, ON (<strong>Live Painting<\/strong>)<\/p>\n\n\n\n<p><strong>1995<\/strong> <em>Gallery 101\u2014Little Art Fest<\/em>, curated by Tim Dallett, Ottawa, ON (\u201c<strong>Ninety-Nine<\/strong>\u201d)<\/p>\n\n\n\n<p><strong>COLLECTIONS\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><\/p>\n\n\n\n<p><em><br><\/em><strong><em>2013 \u2013 2023<\/em><\/strong><strong><em> <\/em><\/strong><em>Grackle Coffee House <\/em>curated by Amanda Grackle, Schomburg, ON<br><strong><em>2009 \u2013 2023<\/em><\/strong><strong><em> <\/em><\/strong><em>Barrister\u2019s Gallery <\/em>curated by Andy Antippas, New Orleans, LA<br><strong><em>2006 \u2013 2023<\/em><\/strong><strong><em> <\/em><\/strong><em>Cayt Pascale,&nbsp; Board Member of Ottawa Art Gallery<\/em><br><strong><em>1995 \u2013 2023<\/em><\/strong><strong><em> <\/em><\/strong><em>Art dealer (retired) Benoit LeBlanc, Hull PQ<\/em><\/p>\n\n\n\n<p><strong><br><\/strong><strong>GRANTS\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><strong><br><\/strong><strong><br><\/strong><strong>2017<\/strong><strong> <\/strong>Visual Arts Creation Projects Grant for \u201c<strong>TransOntario<\/strong>\u201d &#8211; Ontario Arts Council<strong><br><\/strong><strong><br><\/strong><strong>COMMISSIONS\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><strong><br><\/strong><\/p>\n\n\n\n<p><strong>2022 <\/strong><strong><\/strong>\u201c<strong>Malus Kraken Cover<\/strong>,\u201d Malus Magazine cover&nbsp; \u2014 <em>Tilted Shed Ciderworks, <\/em><em>Windsor, CA<\/em><\/p>\n\n\n\n<p><strong>2021 <\/strong><strong><\/strong>\u201c<strong>Little Puss throws a Party<\/strong>,\u201d&nbsp; Promo Material &nbsp; \u2014 <em>Little Puss Press&nbsp; <\/em>BK-NY Casey Plett, &amp; Cat Fitzpatrick<\/p>\n\n\n\n<p><strong>2020 <\/strong><strong><\/strong>\u201c<strong>Heart2Heart Lithograph edition, Heart Neighbor friends<\/strong>\u201d&nbsp; Heart2HEart opioid task force, Everett Maroon, Wallawalla WA<\/p>\n\n\n\n<p><strong>2020 <\/strong>&nbsp;&nbsp;<strong>Pushmower, Smol Batch, KumquatMay &#8220;&#8230;&#8221;, <\/strong>{ Label&nbsp; design, Limited edition Ciderworks} 2BroadsCider Santa Clara CA<\/p>\n\n\n\n<p><strong>2019 <\/strong><strong><\/strong>\u201c<strong>BEWARE U R (infinity Hotel)<\/strong>,\u201d&nbsp; Album cover&nbsp; \u2014 <em>Beware U R by Mamalea<\/em>, Brooklyn, NY: Mary F.<\/p>\n\n\n\n<p><strong>2018 <\/strong><strong><\/strong>\u201c<strong>Little Fish<\/strong>,\u201d&nbsp; book cover&nbsp; \u2014 <em>Little Fish <\/em>by Casey Plett, Vancouver, BC: Arsenal Pulp Press<\/p>\n\n\n\n<p><strong>2018 <\/strong>&nbsp;&nbsp;<strong>&nbsp;Apple Goddesses, Beared Queen, <\/strong>{Concept, Brand, and Label&nbsp; design} 2BroadsCider Santa Clara CA<\/p>\n\n\n\n<p><strong>2017 <\/strong><strong><\/strong>\u201c<strong>Freud vs. Mujer<\/strong>,\u201d book cover \u2014 <em>Psychoanalysis Needs a Sex Change: Lacanian <\/em><em><br><\/em><em>Approaches to Sex and Social Difference<\/em> (forthcoming 2017) ed. Sheila Cavanagh, Abingdon, UK: Routledge.<\/p>\n\n\n\n<p><strong>2014<\/strong><strong> <\/strong>\u201c<strong>Safe Cruising with PrEP<\/strong>,\u201d posters\/handbills \u2014 Canadian AIDS Treatment Information Exchange, Toronto, ON<\/p>\n\n\n\n<p><strong>2013 <\/strong><strong><\/strong>\u201c<strong>Ultra Church\/50 VIP Party People<\/strong>,\u201d mural \u2014 Bank of Montreal Church Street&nbsp;<\/p>\n\n\n\n<p>Mural Project for World Pride, Toronto, ON)<\/p>\n\n\n\n<p><strong>1992<\/strong><strong> <\/strong><strong>\u201cSkulls,\u201d <\/strong>Storefront Mural \u2014 &#8220;Savannah Deville\u2019s&#8221;, Ottawa, ON<strong> <\/strong><strong><\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong><br><\/strong><strong>PUBLICATIONS\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><strong><br><\/strong><\/p>\n\n\n\n<p><strong>2020 The Girl Who Was Convince Beyond All Reason that She Could Fly <\/strong>Arsenal Pulp Press,<\/p>\n\n\n\n<p>Vancouver BC,. Illustrated YA novel.<strong><br><\/strong><strong>2019 &nbsp; Lost Little girl Show in the Year 19999<\/strong> in WebToons.com <strong>, <\/strong>weekly webcomic<br><strong>2018<\/strong><strong> <\/strong>\u201c<strong>Lost Teenage Girl Show<\/strong>\u201d in anthology <em>We\u2019re Still Here<\/em>, ed. Jeanne Thornton.&nbsp;<\/p>\n\n\n\n<p>Stacked Deck Press. Comic.<strong><br><\/strong><strong>2017<\/strong><strong> <\/strong>\u201c<strong>Pee<\/strong>,\u201d \u201c<strong>Poo,<\/strong>\u201d<strong> &amp; <\/strong>\u201c<strong>Primp<\/strong>\u201d in \u201c<a href=\"https:\/\/www.vice.com\/en_us\/article\/we-asked-five-artists-to-design-all-gender-restroom-signs\">We Asked Five Artists to Design All-<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.vice.com\/en_us\/article\/we-asked-five-artists-to-design-all-gender-restroom-signs\">Gender Restroom Signs<\/a>,\u201d <em>VICE<\/em>. Illustrated essay.<strong><br><\/strong><strong>2014<\/strong><strong> <\/strong><strong><em>I\u2019ve Got A Time Bomb<\/em><\/strong>. New York: Topside Press, 2014. Illustrated novel.<br><strong>2010<\/strong> <strong><em>Lost Little Girl Show: Having Fun and Playing Games<\/em><\/strong>. Zine.<br><strong>2008<\/strong><strong> <\/strong><strong><em>How to Kill Queer Scum<\/em><\/strong>. Zine.<br><br><strong>PRESENTATIONS\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><strong><br><\/strong><strong><br><\/strong><strong>2019 &nbsp; <\/strong>\u201c<strong>How to Draw (Using Easy Secret&nbsp; Techniques)<\/strong>\u201d, Orev Reena Katz<\/p>\n\n\n\n<p>Art to Power Resiliency Project, &nbsp;Prisoners with HIV\/Aids Support Action Network&nbsp;<\/p>\n\n\n\n<p>(Toronto, ON)<\/p>\n\n\n\n<p><strong>2015 <\/strong><strong><\/strong>\u201c<strong>How to be a Professional of Arts<\/strong>\u201d<strong>, <\/strong>Colectivio Toronto at the Latino Cultural Centre&nbsp;<\/p>\n\n\n\n<p>(Toronto, ON)<\/p>\n\n\n\n<p><strong>BIBLIOGRAPHY (selected)\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><\/p>\n\n\n\n<p>Balint, Erika. \u201cThe Scientartist.\u201d <em>Femmeldehyde, <\/em>Jan 2013: p. 20-25. Print.<br>Bookhardt, Eric.: \u201c<a href=\"http:\/\/www.insidenola.org\/2011\/04\/bedsole-at-bienvenu-butter-at.html\">Bedsole at Bienvenu Butter at Barrister\u2019s<\/a>\u201d, <em>New Orleans Art Insider<\/em>, April&nbsp;<\/p>\n\n\n\n<p>2011. Web.<br>Cross, Katherine. \u201cKnow &amp; Tell\u201d, <em>Bitch<\/em>. November 2014. p. 60-62<strong> <\/strong>Print.<br>D\u2019Addario, John. \u201c<a href=\"http:\/\/www.theadvocate.com\/new_orleans\/entertainment_life\/arts\/article_dd1ea523-900f-5426-a322-a32e6c88441b.html\"><em>On the Lively St. Claude Gallery Scene, a New Year Full of Art<\/em><\/a><em>.<\/em>\u201d <em>New Orleans&nbsp;<\/em><\/p>\n\n\n\n<p><em>Advocate<\/em>. April 2016. Web.<\/p>\n\n\n\n<p>Idle Hands Blog, &#8220;<a href=\"http:\/\/www.idlehandsblog.com\/2020\/11\/the-girl-who-was-convinced-beyond-all.html\">The Girl Who Was Convinced Beyond All Reason That She Could Fly<\/a>&#8221; Idle<\/p>\n\n\n\n<p>Hands Blog, November 2, 2020. Web<\/p>\n\n\n\n<p>Kirus Review, &#8220;<a href=\"https:\/\/www.kirkusreviews.com\/book-reviews\/sybil-lamb\/the-girl-who-was-convinced-beyond-all-reason-that-\/\">The Girl Who Was Convinced Beyond All Reason That She Could Fly<\/a>&#8220;, Kirkus<\/p>\n\n\n\n<p>Review, July 27 2020, WEB.<\/p>\n\n\n\n<p>Melt, H. \u201c<a href=\"http:\/\/www.lambdaliterary.org\/reviews\/09\/03\/ive-got-a-time-bomb-by-sybil-lamb\/\"><em>I\u2019ve Got a Time Bomb <\/em>by Sybil Lamb<\/a>.\u201d (review). <em>Lambda Literary<\/em>, Sept 2014. Web.<br>Moore, Nancy. \u201cContinuum Gender Identities.\u201d <em>Ridgefield Guild of Artist<\/em>s<em>,<\/em> April 2011: p. 15.&nbsp;<\/p>\n\n\n\n<p>Catalog.<\/p>\n\n\n\n<p>Porter, Ryan. &#8220;<a href=\"https:\/\/quillandquire.com\/review\/the-girl-who-was-convinced-beyond-all-reason-that-she-could-fly\/\">The Girl Who Was Convinced Beyond All Reason That She Could Fly<\/a>&#8220;.&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Quill &amp; &nbsp; Quire, Dec 2020. Web.<\/p>\n\n\n\n<p>Ryan, Hugh. \u201c<a href=\"https:\/\/www.vice.com\/en_us\/article\/trans-writer-sybil-lamb-wrote-a-roman-a-clef-about-surviving-a-hate-crime\">Trans Writer Sybil Lamb Wrote a Novel About Surviving a Hate Crime<\/a>.\u201d <em>VICE<\/em>.&nbsp;<\/p>\n\n\n\n<p>June 2014. Web.<\/p>\n\n\n\n<p>Turner, Erika. \u201c<a href=\"http:\/\/www.buzzfeed.com\/erikaturner\/books-by-transgender-women-you-must-read\">15 Books By Transgender Women You Need To Read Immediately<\/a>.\u201d <em>BuzzFeed&nbsp;<\/em><\/p>\n\n\n\n<p><em>Books<\/em>. Mar 2015. Web.<\/p>\n\n\n\n<p>Valelly, Jonathon. &#8220;<a href=\"https:\/\/brokenpencil.com\/columns\/art-holes-sybil-lamb\/\">Art Holes: Sybil Lamb<\/a>&#8221; Broken Pencil Zine ZINE, July 13, 2020<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sybil Lamb Professional Of Art ! Sybil E. LambSandwich Town, Ontario, Canada6ybil@sybillamb.com \u2014 www.SybilLamb.com EDUCATION\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>\n","protected":false},"author":1,"featured_media":355,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/posts\/351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/comments?post=351"}],"version-history":[{"count":1,"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/posts\/351\/revisions"}],"predecessor-version":[{"id":354,"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/posts\/351\/revisions\/354"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/media\/355"}],"wp:attachment":[{"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/media?parent=351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/categories?post=351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sybillamb.com\/LambFactory\/wp-json\/wp\/v2\/tags?post=351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}